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Bantam Books
paperback, July 2003
Reviewed by Barbara Fielding
THE SHELTERS OF STONE is the fifth in the Earth's Children ® series of
prehistoric times. It opens with Ayla's arrival at the camp site of the
Zelandoni People, set along the limestone cliff caves of southwestern
France. Ayla accompanies Jondalar, a warrior of the Zelandoni people, on
his year long journey home to introduce Ayla as his intended mate.
Ayla, the nomadic warrior woman, stuns the Zelandoni People with her
amazing gift for domesticating wild animals and her knowledge of healing
herbs. Her companions, Wolf, and horses, Whinney and Racer, frighten the
new tribesmen who have never seen animals friendly to humans. Ayla's
halting speech and tales of adoption by the "flatheads," the people she
calls the Clan, scandalize Jondalar's people. The Zelandoni view
"flatheads" as little more than animals, and Ayla's foreign accent and
strange tales create obstacles to her acceptance among the new tribe.
Jondalar returns from his long Journey to the welcome of his family;
mother, Marthona and her mate Willamar, the Trade Master, sister, Folara
and brother Joharran, Leader of the Ninth Cave. Jondalar left the tribe,
in part, because he was forbidden to marry the woman he loved, Zolena. She
was the woman who introduced him to the Gift of Sensual Pleasure, but she
was destined to be the tribal healer and Zelandonii Leader. During his
Journey to unknown lands Zolena became the Zelandonii Leader, and changed
from a voluptuous older woman into a wise, obese, tribal leader. Will the
Zelandonii Leader allow Ayla, the beautiful, extraordinary woman who
already carries his child, into the Zelandoni Tribe, and bless their
marriage at the Summer Meeting?
THE SHELTERS OF STONE is an exceptional novel in the sense of the author's
ability to breathe life into prehistoric times. The cast of characters are
more highly evolved than the typical caveman most readers could imagine or
expect. Ayla has been endowed with modern viewpoints of gender equality
that shape her personality, making her a sort of prehistoric feminist,
independent of male domination and free of needing any man to care for
her. Jondalar and all the Zelandoni People possess a "free spirit"
attitude towards sexual behavior which seems a little contradictory to the
accepted territorial, primitive male viewpoint, again, making the story
seem more idealistic than realistic. But, I doubt these observations will
bother anyone because Ms. Auel has created an incredible portrait of early
civilizations.
The plot turns on Ayla's struggle for acceptance, including minor
conflicts and trouble within the new tribe, a few hunting and natural
dangers for added drama, and a narrative punctuated with rich historical
details. Written in third person, I found the Wolf's viewpoint a
surprising and interesting twist. Fans of Ms. Auel will enjoy this novel
after waiting twelve years for the latest installment; new readers looking
for something fresh and different will definitely find it here.

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