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THE ADVERSARY
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Fourth Book in
The Saga of Pliocene Exile
Julian May
Pan, 1984
Reviewed by Joy
Calderwood
Science Fiction
King Aiken-Lugonn
has been severely injured in his most recent battle for rulership of the
Tanu kingdom in Pliocene Europe. He is barely able to use the stupendous
mental powers which won him his throne. But the world is not going to
stop and give him time to recover. The oldest people among the Tanu and
Firvulag who colonized Earth have seen the omens, and they are convinced
that the time for the Nightfall War has come. If any one of Aiken’s four
groups of opponents sense that he is bluffing, the Tanu kingdom will
shatter. Fortunately, Aiken is very good at bluffing.
THE ADVERSARY
follows the interwoven relationships of people from each of the five
groups, plus the reluctant arbiter of them all, Elizabeth Orme.
Elizabeth supports the aims of King Aiken and his Tanu, Howler, and
human followers. Aiken, with his enlightened despotism, seems the best
ruler available. Certainly not King Sharn-Mes of the Firvulag, who plans
to exterminate all Tanu and humans. Certainly not Marc Remillard, whose
cold, cruel mind is the only one stronger than Aiken’s. The other groups
have no ambition to rule. The Lowlives, outlaw humans, cooperate with
Aiken when they feel like it. The children of Marc Remillard and his
followers want only to build a time gate to take them to Earth’s
twenty-second century A.D., where their parents came from.
The maneuvering to
build the time gate is the main plot of THE ADVERSARY. The title
character, the Adversary himself, is Marc Remillard. His driving urge is
the urge for dominance: humans over other species, himself over humans,
his descendants mutated into forms which will allow them to dominate
their universe. But Marc’s methods thus far have been so draconic that
his children find them – and him – repugnant. One of his son Hagan’s
goals in returning to Elder Earth and the government of the Galactic
Milieu is to help the Milieu find and destroy his father. So when Marc
starts visiting Elizabeth and helping her
heal children, all anyone can think of is the terrifying power
Marc is developing: learning to jump instantaneously anywhere in the
universe, carrying along anything he chooses to bring. Everyone knows
that soon Marc will be able to stop the building of the time gate.
For the reader, a
single triangle dominates THE ADVERSARY, in spite of its many
interesting subplots. The characters of Aiken, Marc, and Elizabeth are
so strong as to overwhelm all other interests. We learn to know each of
them deeply as they evolve to meet their ordeals. There is a fascination
to these three powerful minds, each with their own fetters in spite of
their far-ranging strengths. What do they really want? What do they
love? What will touch off the inevitable explosion? Which way will the
balances tip?
THE ADVERSARY
leaves several strings dangling for follow-up stories – and one rope.
The new venture of Marc Remillard opens huge new vistas of possibility.
There are also several newborn and as-yet-unborn children who have had
stories suggested for them throughout the series. But instead, in her
next book INTERVENTION (divided for paperback publication into THE
SURVEILLANCE and THE METACONCERT), May goes back to explore the roots of
the Remillard family, its role in the development of mental powers among
humans and in bringing Earth into the Galactic Milieu.
The genre of
“complicated science fiction series” has growing numbers of fans.
Keeping track of numerous plots using invented skills in an unfamiliar
setting is a satisfying challenge for people who like to reach further
than the lives of everyday Earth. Author Julian May weaves complications
with the best of them. The characters of
The Saga of Pliocene Exile
touch archetypes from our subconscious, making us believe that
everything she writes of is possible. They live out their aspirations or
lack of them, connive and betray, heal and protect, love and hate. They
even, sometimes, do all these at once, just as we might do.
The Saga of Pliocene Exile
is one of my favorite rereads of a lifetime.
January 2005 Review
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