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AN INTERVIEW WITH AUTHOR
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Kate Pepper's new suspense novel SEVEN MINUTES TO
NOON was just released in May 2005. She has been kind enough to answer
a few questions about her latest book.
Barbara: Hi
Kate. Welcome to Reviewers Choice Reviews.
Kate Pepper:
Hi Barbara, it’s a pleasure.
Barbara:
Your new release SEVEN MINUTES TO NOON involves the disappearance of a
pregnant woman. This was also a theme featured in your previous novel,
FIVE DAYS IN SUMMER. You vividly portrayed the characters'. How did you
research and prepare for writing about the impact of someone who
disappears?
Kate Pepper:
In FIVE DAYS IN SUMMER, a mother
vanishes, and a few days later her son disappears.
In SEVEN MINUTES TO NOON a pregnant mother disappears, is found
murdered, and a search ensues for her missing full-term baby. And in
the novel I’m just finishing up now, an adopted teenager sets out in
search of her birth parents, and vanishes. So yes, there is definitely
a theme there. I didn’t realize I was doing this at first, and then
when I did realize it, I began to consciously explore the idea of what
it means to me for children to be separated from their parents. I’m a
mother, and the loss of a child is any mother’s greatest fear. I also
had the experience of my parents divorcing when I was a child and
suffered all the typical inner fractures that come with broken
families. In many ways, I mine my own fears and anxieties about loss
when writing my novels and exploring characters’ feelings and
reactions. I feel that writing needs to be very specific, very
personal, to be strong; and let’s face it, in some ways it’s always
going to be a form of therapy for the writer. So I write what I think
about, and go where my feelings are strongest. But now that I’ve delved
into this theme of fracture and separation between parents and children
in three novels, I plan to veer into new territory for the next one.
Barbara:
SEVEN MINUTES TO NOON features a large cast of characters. I really
enjoyed the chemistry between this group of friends. It reminds me of
the cast in THE BIG CHILL. It must have been a bit crowded in your head
with all those characters. Was it difficult writing about such a large
group?
Kate
Pepper:
I’m always a bit surprised when I realize how many characters I’ve
created! To answer your question, no, it doesn’t get crowded in my head
at all; on the contrary, I see it as a kind of choreographed dance, with
each character taking up his or her own space, for specific reasons, and
heading in a particular direction. I try not give too much time to
characters who won’t have a real trajectory in the story, and to bolster
those that will. Every character has to have a reason for being there,
a role, even if it’s just to spark a thought in the protagonist. But
nothing, and no one, is arbitrary.
Barbara:
You did an outstanding
job writing from Alice Halpern's hormonal perspective. She is a strong
character in a stressful situation. Were you at all hesitant taking her
on this extremely emotional journey?
Kate Pepper:
I wasn’t hesitant, but it did
indeed become challenging to express such a complex story from a single
point of view, and having been pregnant twice myself, I understand the
emotional and physical sensitivities of a pregnant woman. Every
movement in the story had to be shown through Alice's subjective mind.
In a suspense novel, with a police investigation going on, this became
particularly difficult because Alice was not directly a part of the
investigation. So I had to find ways to develop the story around this
narrative deficit, and the result, I think, was a very personal feel to
the story. Above all, it had to be Alice's story.
Barbara:
Your website mentions that you teach a college level fiction writing
class. How did you end up writing suspense? Do you ever think about
writing something in a completely different genre?
Kate
Pepper:
I wrote FIVE DAYS IN SUMMER as an experiment to
understand how suspense works in fiction, and I guess the experiment
worked because I was quickly given contracts to write more of the same.
I teach general fiction writing, however, and in the past I had always
written literary fiction. My first two novels were literary, published
under my real name (Katia Spiegelman). I enjoy writing suspense, but my
goal in that genre is to merge it with the literary voice that I love,
because that is what makes writing interesting and challenging to
me—exploration.
Barbara:
The housing market in
Brooklyn plays a key role in the development of the suspense of this
story. You did a good job of explaining a different style of living in
Brooklyn--multiple family housing and landlords. That's not very common
in my corner of the US. How did you come up with the property
management angle of the story? By the way, I loved Pam Short. I'm so
glad she recovered!
Kate Pepper: Anyone
living in New York City, Brooklyn or otherwise, develops an obsessive
interest in real estate. We tend to become quite passionate here about
our own spaces, especially if we own them. So just by virtue of having
lived in the area for so long, I developed some knowledge about real
estate. I've been a renter and am now an owner, and along the way had
the unfortunate experience of a landlord trying to evict me and my
family. In fact, the inspiration for Alice's eviction in SEVEN MINUTES
TO NOON came from personal experience...though in the novel, I made the
stakes much higher than they were in real life. In Alice's case, her
best friend is murdered. In my case, we just had to move.
Barbara:
You are a busy mom, wife,
teacher and author. When you do
have time to read, who are your favorite authors? What are you reading
now?
Kate Pepper:
I always fantasize about having a whole day to myself, just to read.
But of course, between family and work, that never happens. Most of my
reading happens in small spurts, at night, and my favorite authors are
various. I just finished reading THE STONE DIARIES by Carol Shields;
it’s a wonderful literary novel, short on the kind of plots you’ll find
in genre fiction, but big on heart and soul and the kind of lush,
evocative language that I love. I’m also in the middle of reading
RIPLEY’S GAME by Patricia Highsmith, who is my favorite classic suspense
author, and I just started DARKLY DREAMING DEXTER by Jeff Lindsay, who I
predict will be a real leader in the genre of suspense fiction. I also
love the work of Jane Smiley, Russell Banks, T. Corragessen Boyle (can’t
spell it), and the list goes on and on.
Barbara:
Do you have any future novels or series in the works?
Kate Pepper:
Yes. As I mentioned earlier, I’m just now
finishing up a new novel. I’m also making notes for a fourth, which is
under contract.
Barbara:
Kate, thanks for taking the time to talk to us about your new book.
I enjoyed reading it and I hope it is very successful.
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